Constriction of Affect

Constriction of affect is a narrowing in the range of emotions a person is able to display, so that fewer distinct emotional states are shown than would ordinarily be expected, even though the emotions that are still displayed may register with roughly normal intensity. It sits on a spectrum with blunting of affect, sharing the same basic direction of restricted emotional display but generally understood as a somewhat milder or narrower version of that restriction.

This has traditionally been described as closely related to blunting of affect, the two terms sometimes used with overlapping meaning, though constriction more specifically emphasises a narrowed range of emotional states available to the person rather than a uniform reduction in the intensity of whatever is displayed.

Also known as

Flattening of affect
Sometimes used interchangeably with constriction, though flattening is also sometimes reserved for the most severe end of the spectrum, bordering on a complete absence of emotional display.

Recognition features

Eliciting it at interview

Distinguishing features

Common misconceptions

Related phenomena

Morbid Expression of Emotion · Blunting of Affect

Practice this

Across a long conversation covering many different topics, a patient displays only a narrow range of emotional reactions, though the few emotions she does show, such as brief irritation or mild amusement, register with roughly normal intensity each time. What is this? · A patient shows almost no interest in activities he previously enjoyed, rarely initiating anything on his own, and appears outwardly indifferent even when told genuinely significant news about his own health. Before revealing the answer: is this constriction of affect? · A patient shows a limited emotional display. Before revealing the answer, decide what distinguishes constriction of affect from apathy. · You suspect a patient shows constriction of affect. Before revealing the answer, decide how you would assess for this. · Explain why constriction of affect and blunting of affect are described as sitting on the same spectrum rather than being entirely separate signs.

Illustration

Across a long conversation touching on his hobbies, his family, and a recent disappointment at work, a 50-year-old man shows only mild, muted variations of the same faintly weary expression throughout, with none of the sharper shifts into enthusiasm, irritation, or amusement that the range of topics would ordinarily be expected to bring out.

References